From bandmates Cosey Fanni Tutti and Chris Carter. Their band, Throbbing Gristle, was a founding member of industrial music, way back 1976. With fellow bandmate Genesis P-Orridge they have have continued to make pushing-the-boundaries art and music. Huge talents, all of them. Sleazy will be missed.
Peter Christopherson, affectionately known as Sleazy, died peacefully in his sleep on the 24th of November at his home in Bangkok, Thailand.
The music and art world has lost a great talent whose unique approach ignored the conventions of the day and often challenged the status quo.
Sleazy’s playful and inspiring creativity saw him pushing boundaries as a musician, video director and designer throughout his life. He had recently returned to Thailand from Europe, where he had played a short but spectacular series of live shows as a member of Throbbing Gristle and in the newly formed trio X-TG with Cosey Fanni Tutti and Chris Carter.
Sleazy’s visual art career included work as a member of the influential British design agency Hipgnosis, creating iconic record sleeve artwork in the 1970s for Led Zeppelin and Pink Floyd and, later, Factory Records. He took the first promo photographs of the Sex Pistols, created a highly controversial window display for Malcolm McLaren and Vivienne Westwood’s clothing shop, SEX, and went on to design the logo of the hugely popular fashion company, BOY. In 1976 Sleazy met Cosey Fanni Tutti, Chris Carter and Genesis P-Orridge and together they formed electronic music provocateurs Throbbing Gristle and Industrial Records, creating one of the first independent record labels of the era and laying the foundation for a new genre of music. The band was infamously described in the Daily Mail by Tory MP Nicholas Fairbairn as “the wreckers of civilisation”.
TG ceased operations in 1981, after which Sleazy formed Psychic TV with Genesis P-Orridge and they produced two albums.
He later founded Coil.